In this extended offering, Sam Fender isn’t ‘people watching’, he’s addressing the effects of people watching him; and the personal weight of being under the heavy spotlight. Read the full review of the deluxe album release here.

Out today, ‘One More Time’ does not shy away from what it is: a rock and roll revival for Aerosmith, and a bonus crest seeing out the same wave of success generated from Yungblud’s ‘Idols’ album released earlier this year. The Groove reviews the 5-track collab.

Her first release since 2021, born from the ashes of someone starting afresh, Celeste’s second album ‘A Woman Of Faces’ is the triumphant return of someone who thought they were ‘nearly there’, back to finish the job. Read the full review on The Groove.

Bestial mythology, folklore and ancient history push and pull against tender portrayals of real-life intimacy, loss and doubt, making ‘Chasing The Chimera’, the new album from Del Water Gap, a deeply layered delight.

The debut studio album from UK duo Good Neighbours, ‘Blue Sky Thinking’ is light, bright and fun. Does it offer anything more? Not really. Read The Groove’s full review here.

A tender portrayal of self-reflection and love in all forms, we’re here to explore ‘The Art Of Loving’, and why this sophomore album is just the beginning for Britain’s next pop icon, Olivia Dean.

As Wolf Alice step into The Clearing and onto the stage of a different calibre, we’re looking at just what makes this album so good. Sincere and self-assured, it’s as complex as the journey of defining yourself.

Sombr’s debut album is out. I Barely Know Her is a foray into young heartbreak, from an artist destined to become the voice of Gen Z.

Journey through the ‘People Watching’ tracklist as we pair each song with its ‘man oh man’ counterpart, to uncover what these accidentally twinned albums from Sam Fender & Martin Luke Brown suggest, and ask, about modern masculinity.